forcing them to give up their homes. Fortunately, that will not be the fate of 96-year-old actress Zsa Zsa Gabor's mansion, which is currently on the market.
On Friday, a Los Angeles judge ruled that Gabor and her ninth husband, Frederic Prinz von Anhalt, can remain in their Bel Air house until the actress dies
or for three more years. A potential buyer must oblige to this
"deferred transaction" in addition to paying the couple $325,000 a year,
reports Reuters. This news may come just in time, as last month we
reported that the home was marked "pending" in the MLS, indicating there
may be a sale in the works.
Von Anhalt told reporters, "this decision is going to make her very
happy," and is optimistic about the future. "Hopefully she will be with
us for more than three years. Her mother lived to be 102."
The pair had recently turned to renting the place out as a film set to offset Gabor's medical costs, and it appears in the award-wining movie "Argo" as well as an upcoming HBO film about Liberace called "Behind The Candelabra." But, with the recent news, perhaps the couple can enjoy a more private existence at home.
Friday, July 5, 2013
Thursday, July 4, 2013
Throughout her career, Mansfield was compared by the media to the reigning sex symbol of the period, Marilyn Monroe. 20th Century Fox groomed her, as well as Sheree North, to substitute Monroe, their resident "blonde bombshell", while Universal Pictures launched Van Doren as their substitute. The studio launched Mansfield, their new bombshell, with a grand 40-day tour of England and Europe from September 25 to November 6, 1957. She adopted Monroe's vocal mannerisms instead of her original husky voice and Texan speech, performed in two plays that were based on Marilyn Monroe vehicles -- Bus Stop and Gentlemen Prefer Blondes, and her role in The Wayward Bus was strongly influenced by Monroe's character in Bus Stop.
Other studios also tried to find their own version of Monroe. Columbia Pictures tried it with Cleo Moore, Warner Bros. with Carroll Baker, Paramount Pictures with Anita Ekberg, and Metro-Goldwyn-Mayer with Barbara Lang, while Diana Dors was dubbed as England's answer to Mansfield. Jacqueline Susann wrote, "When one studio has a Marilyn Monroe, every other studio is hiring Jayne Mansfield and Mamie Van Doren." The crowd of contenders also included Diana Dors, Sheree North, Kim Novak, Cleo Moore, Joi Lansing, Beverly Michaels, Barbara Nichols and Greta Thyssen, and even two brunettes -- Elizabeth Taylor and Jane Russell. Mamie Van Doren, Diana Dors and Kim Novak also acted in various productions of Gentlemen Prefer Blondes. But, even when Mansfield's film roles were drying up, she was widely considered to be Monroe's primary rival, and she considered Mamie Van Doren as her professional nemesis. At one point, Monroe, Mansfield and Mamie came to be known as "The Three M's."
Because of her striking figure, newspapers in the 1950s routinely published her body measurements, which once led to evangelist Billy Graham exclaiming, "This country knows more about Jayne Mansfield's statistics than the Second Commandment." Mansfield claimed a 41-inch bust line and a 22-inch waist when she made her Broadway debut in 1955, though some scholars dispute those figures. She came to be known as "the Cleavage Queen" and "the Queen of Sex and Bosom." Mansfield's breasts fluctuated in size, it was said, from her pregnancies and nursing her five children. Her smallest measurement was 40D (102 cm), which was constant throughout the 1950s, and her largest was 46DD (117 cm), measured by the press in 1967. According to Playboy, her vital statistics were 40D-21-36 (102-53-91 cm) on her 5'6" (1.68 m) frame. According to her autopsy report, she was 5'8" (1.73 m).
It has been claimed that her bosom was a major force behind the development of the 1950s brassieres, including the "Whirlpool bra", Cuties, the "Shutter bra", the "Action bra", latex pads, cleavage-revealing designs and uplift outline. R. L. Rutsky and Bill Osgerby have claimed that it was Mansfield, along with Marilyn Monroe and Brigitte Bardot, who made the bikini popular. Drawing on the Freudian concept of fetishism, British science fiction writer and socio-cultural commentator J. G. Ballard commented that Mae West, Mansfield and Monroe's breasts "loomed across the horizon of popular consciousness." But, as the 1960s approached, according to Dave Kehr, the anatomy that had made her a star turned her into a joke. In this decade, the female body ideal shifted to appreciate the slim waif-like features popularized by supermodel Twiggy, actress Audrey Hepburn and other, demarcating the demise of the busty blonde bombshells.
Tuesday, July 2, 2013
American actress and singer, best known for her role as Afton Cooper in the television drama series Dallas and her role as Val Clarke in the film version of A Chorus Line
Early yearsLanders was born Audrey Hamburg in Philadelphia, Pennsylvania. Landers began her acting career at the age of 9, when she starred in her first community theater musical, and continued acting and singing in community theater shows in New York State. Music was always a passion, and Landers began writing poetry and songs at a young age. Landers was first noticed with a country song that she wrote and performed at the age of twelve, which led to a Nashville recording contract with Epic Records, a performance on The Merv Griffin Show, and a year-long role on the daytime drama, The Secret Storm. During her teen years, she acted on the daytime drama Somerset and studied music at the Juilliard School in New York, while majoring in psychology at Columbia University. Her feature film debut came in The Tennessee Stallion (1978) with her sister, Judy Landers.
CareerLanders moved to Los Angeles and on her 24th birthday, landed the role of Afton Cooper in Dallas, which she held for 84 episodes, from 1981 through the television movie Dallas: J.R. Returns in 1996. She took a leave of absence from Dallas to portray Val Clarke in the film version of A Chorus Line (1985). Her performance in the film of Dance: Ten; Looks: Three helped jumpstart a successful recording career in Europe. In 2013 she reprised her role in the second season of new Dallas.
Before joining Dallas, she guest-starred in a number of television series, including The Dukes of Hazzard, Fantasy Island, Love Boat, Battlestar Galactica, and television movies such as Jackie Collins's Lucky Chances, The Hitchhiker, and many others. From 1990–1992, she played the role of Charlotte Hesser, eldest daughter of upstate Pennsylvania mob boss Carlo Hesser on the ABC daytime series One Life to Live.
 for which, in addition to writing the scripts, she also wrote the 250+ original songs in the series. Her partner (and mother), Ruth Landers, produced the series and donated it to Public Television for its 5 year run. In 2006, she co-wrote, and co- directed the family adventure film, Circus Island, a Ruth Landers production. Landers' business partner (and mother) Ruth Landers have created a fashion line called Landers STAR Collection which is gaining global popularity through QVC UK,and in Italy, Canada, Germany, and the U.S.
In 2005–2006, Landers co-wrote and co-directed the family feature film Circus Island. Landers played Veronica, the girlfriend of Bruce Campbell's character Sam, on the USA Network series Burn Notice.
Personal lifeAudrey is sister of actress Judy Landers, and has acted with her in several roles, including multiple episodes of The Love Boat as well as Circus Island and Ghost Writer, films produced by Ruth Landers. Audrey and Judy Landers were on the cover and in a non-nude pictorial of the January 1983 issue of Playboy. Audrey, Judy, and their mother, Ruth jointly created the award-winning musical children's television series The Huggabug Club for PBS from 1995–2000. Audrey co-wrote the 250 original songs in the series. She also co-wrote the scripts and co-edited the series.
Landers married businessman Donald Berkowitz in May 1988. They have 2 children, twins Adam and Daniel, born in 1993.